Fragment ( France ), gold and silk embroidery, 14th century.
Photo - Arte del Tessere
Fragment ( France ), gold and silk embroidery, 14th century.
Photo - Arte del Tessere
Dish, Metropolitan Museum of Art: Cloisters
Saw another debate about whether it’s ever okay to write in books today & it reminded me of my favourite genre of marginalia: much worse copies of illustrations.
I’ve already posted the best bat, but it’s always worth looking at again:

[British Library, Harley MS 3244, fol. 55v]
There’s also this chicken, which was struggling even in the original:

[Kongelige Bibliotek, GKS 3466 8º, fol.10]
& this genuinely terrible lizard:

I’m not well-versed enough in analysis to say for sure that the 16th c. scribbler responsible is the same person who provided captions for the other images in this text, but I like to think so because some of them give strong indications of a personality type that’s still recognizable today:


[I don’t have a shelfmark for these, but they’re from the UBC RBSC’s copy of Gesner’s Historia animalium. Also, the image of the donkey says “you asse” & the (notoriously gluttonous) gulon says “greedy gut” if you’re having trouble deciphering the script.]
Here’s another one from the Wellcome Library’s copy of
The noble lyfe & natures of man, of bestes, serpentys, fowles & fisshes yt be moste knowen (1521)

Woman’s Comb, Metropolitan Museum of Art: Medieval Art
‘Two hares eating berries’ (13th century) by
Ibn Bakhtishu.
Image taken from Kitab Na’t al-hayawan wa-manafi'ihi (Animals and their Uses). Joint authorship; Aristotle, Ibn Bakhtishu.
This file has been provided by the
British Library
from its digital collections.
This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication
Wikimedia.
Casket with Painted Roundels (Italy, late 12th–early 13th century).
Ivory, painted; gilded silver mounts with glass, quartz, and turquoise inlays.
Images and text information courtesy The Met.